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more...exhibition

Sweet Season - Provincetown Art Exhibit

bk projects to exhibit in provincetown!

artists, exhibition

Please join me in provincetown for a ‘sweet season’ exhibition at gallery 444!!

july 26 – august 1 , 2023

opening reception:
friday, july 28• 5-10pm

Jenny Brown | Pearl Cowan | Kathryn Geismar | Katrine Hildebrandt | Alison Judd | Delvin Lugo | Celine McDonald | Karmimadeebora McMillan | Jennifer Liston Munson | Kathleen O’Hara | Roberta Paul | Brent Refsland | Rebecca Roberts | Amy Ross| Sneha Shrestha

venue:
gallery 444
444 commercial st
provincetown, ma
DIRECTIONS

hours:
11am – 8pm

more information:
call or text 617-835-8255

above image: delvin lugo – jose’s alibi, 2022, oil on canvas, 30×40”

 

here’s just a taste of the wonderful work in this exhibition:

alison-judd - 'be-tween study on paper 5'
alison-judd – ‘be-tween study on paper 5’, 2023, watercolor, paper, 8×10″ (unframed) 11.5×13.5″ (framed)

 

katrine hildebrandt – ‘aware’
katrine hildebrandt – ‘aware’, 2023, hand burnt lines, hand dyed fabric, reed, wire, paper, 12×10″

 

jenny brown - 'sea sprig'
jenny brown – ‘sea sprig’, 2021, mixed media on recycled mat, 11×14″

 

kathryn geismar - 'nightengale'
kathryn geismar – ‘nightengale’, 2023, graphite and ink on duralar, 14 x 11″

 

amy ross - 'night bloomer #6'
amy ross – ‘night bloomer #6’, 2023, ink and collage on paper, 15×12″ framed $800

 

celine mcdonald - 'red bottom'
celine mcdonald – ‘red bottom’, 2023, oil on wood, 20 x 20″

 

kathleen o'hara - 'finger bowl'
kathleen o’hara – ‘finger bowl’, 2023, stoneware and glaze, 8x8x4″ $350.00

 

pearl cowan - 'radiant void over a rising sea'
pearl cowan – ‘radiant void over a rising sea’, 2023, acrylic, canvas, panel , 10×14″ $2000

 

jennifer munson - 'untitled'
jennifer munson – ‘untitled’, 2023, archival pigment print, resin, oil, wood, 10×8″, $650

 

Gallery 444 - 444 Commercial St Provincetown, MA
Gallery 444 – 444 Commercial St Provincetown, MA

 

Kathleen O'Hara - 'Flask/Nike'

Kathleen O’Hara exhibits at “Small Favors 2023” in Philadelphia

artists, exhibition

Small Favors 2023
The Clay Studio, Philadelphia PA

April 29 – July 2, 2023

“We are thrilled to present Small Favors 2023, the 17th anniversary of this beloved exhibition. It will be on view in our new building for the first time just as we are celebrating our first anniversary at 1425 N American Street in April. Among almost 400 small artworks displayed in 4-inch cubes you will find big ideas, individuality, and material awareness. To celebrate that this truly is an exhibition for everyone, a few years ago, we began inviting artists outside of the ceramic world to participate. This year we are excited to have art in wood, metal, glass, fiber, paper, and paint. The majority of the works are examples of small ceramic artworks that range from tiny mugs to intricate sculptures.

“Artists represented in Small Favors range from the most established ceramic artists in the field, to young artists new to the field. Small Favors engages artists’ creativity in new and exciting ways with the challenge of making pieces on a very small scale. For some artists, the work they create is similar to what they normally make, but at a reduced scale. Others use it as an opportunity to break away from what they create in their daily studio practice. There is an open call each year for juried work, as well as a group of invited artists who participate. This year we have artworks coming from Japan, China, and Budapest in addition to those from around the United States.”

Image: Kathleen O’Hara, Pilmigration Flask/Nike, 2022, porcelain, oxides, leather

Link to Exhibition

Kathleen O'Hara - Pilgrim Flask Dollar Sign

Kathleen O’Hara in “Clay Has It’s Say” Exhibit

art crushes, artists, exhibition

Image: Pilgrim Flask Dollar Sign Stoneware, cooper carbonate, iron oxide and rutile wash 3x3x1.5 in

I had a facetime studio visit with Kathleen O’Hara and her hand built Pilgrim Flasks that are one of my latest art crushes. She will be part of a show at Concord Art  in Concord, MA – CLAY HAS ITS SAY – that will be rescheduled.

Here’s what Kathleen had to say about this new work…

Much of my work centers around the concept of illusion being the truth. These small clay pieces are reproductions of pilgrim flasks, the vessels used to collect holy water and oil and worn as necklaces by pilgrims traveling to the Holy Land during the Middle Ages.

When I first saw these small ampullae I was struck by their simple, crude beauty and the idea of a 9th or 10th century souvenir. The concept of replicating these vessels came to me when I accidentally stepped on a ball of clay in my studio and noticed the beautiful debossed pattern made by the sole of my Nike sneaker. The incentives and politics of pilgrimage are complex and layered but it seems to me that many peoples are currently making pilgrimages to promised lands wearing whatever shoes they own. And so, I began making a series of replica pilgrim flasks, faux relics, embellished with shoe impressions from a variety of shoes, to honor the hopeful treks made by all peoples seeking salvation

sue mcnally at the fruitlands museum

artists, exhibition

Sue McNally: Ascutney Revisited opens at The Fruitlands museum June 18, 2020 to November 8, 2020

Sue McNally’s distinctive paintings shape outdoor spaces into magnetic, surreal vistas with radiant, gem-like colors. To create her series, This Land is Our Land, McNally road-tripped annually for over 25 years across the United States and painted alternately personal and iconic views of each state.

For Ascutney Revisited, McNally creates a new painting in dialogue with the painting Mount Ascutney from Claremont, NH by Albert Bierstadt (1862). She traveled to find the view that Bierstadt captured and create a painting that will be both a tribute and a course in contrasts. The new work will consider both the view as it appears much altered 150 years later, with vivid colors and forms contrasting with Bierstadt’s meticulous marks. She will also present a painting of the well-loved view from the grounds of Fruitlands Museum. In addition to the gallery exhibition, her new, large-scale, stained glass sculptures will echo the shapes of the distant mountain range outside.

More info…

 

“Love Match” at Drive-by Projects

drive-by projects, exhibition

Hannah Barrett and Laurel Sparks
Wendy Edwards and Jerry Mischak
Zoe Pettijohn Schade and Christopher Schade
Julie Featheringill and Joe Zane

Date: March 7 – April 25, 2020

Location: Drive-By Projects, 81 Spring Street, Watertown, MA

Hours: Thursdays 12-4pm and by appointment: call or text 617-835-8255.

View work :: Drive-by Projects

Though Valentine’s day has passed, we feel the need to lengthen this year’s celebration of love. Drive-By Projects is please to present Love Match, an exhibition of work by artist pairs who are life partners. Each couple has selected works that reflect their shared professional and personal relationships.

“We have been in love for 42 years and our studio work habits/materials are significantly different. Jerry is more oriented to sculpture and Wendy to painting. Sometimes we need fresh eyes to visit our studios, which are next to one another, to point out that we are thinking about similar images but forming different perspectives. These two pieces relate to one another through referencing the body and physical interactions. Tongue to tongue, cheek to cheek.”
–Hannah Barrett for herself and Laurel Sparks

“Title of my painting is “the painter’s true love” and is exactly what it looks like- imaginary flowers sprouting from the palette. This is a symbol for the fact that our shared careers as painters both connect and separate us. Being able to share visual culture all the time is the source of our greatest joy and the separations are temporary even if they are frequent.”
–Wendy Edwards and Jerry Mischak

Christopher Schade and Zoe Pettijohn Schade are both concerned with how an image relates to, or is informed by the structures that contain and organize it. In the pair of works in the show, the leafy subjects pictured are shaped by, and strain against these constraints.
–Zoe Pettijohn Schade and Christopher Schade

Joe Zane’s bold probing of essential questions that circulate around the making and presentation of art. His work employs a variety of mediums including drawing, painting, video and sculptural objects that include frequent references to the art world. Zane attempts to instill an almost comic awareness in the viewer of his or her futile attempts to locate ultimate meaning in a work of art. Julia Featheringill often sees humor in the mundane and utilizes it for her subject matter.
–Julia Featheringill and Joe Zane


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